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ソーマトロープが紡ぎ出す真実 : ティム・バートンの『スリーピー・ホロウ』における身体論的象徴性
https://shukutoku.repo.nii.ac.jp/records/1408
https://shukutoku.repo.nii.ac.jp/records/1408d0db56ae-040f-4563-a73d-ca26302c883c
名前 / ファイル | ライセンス | アクション |
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SSC-JA2008-01202-007.pdf (2.6 MB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-02-09 | |||||
タイトル | ||||||
タイトル | ソーマトロープが紡ぎ出す真実 : ティム・バートンの『スリーピー・ホロウ』における身体論的象徴性 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Truth Spun by the Thaumatrope : Physical Symbolism in Tim Burtons Sleepy Hollow | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 『スリーピー・ホロウ』 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 映画論 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 身体表象論 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ティム・バートン | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ワシントン・アーヴィング | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA11169031 | |||||
論文名よみ | ||||||
タイトル | ソーマトロープ ガ ツムギダス シンジツ : ティム・バートン ノ 『スリーピー・ホロウ』 ニオケル シンタイロンテキ ショウチョウセイ | |||||
著者 |
星野, 英樹
× 星野, 英樹× Hoshino, Hideki |
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著者所属(日) | ||||||
淑徳大学国際コミュニケーション学部文化コミュニケーション学科 | ||||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Synopsis Tim Burtonユs Sleepy Hollow is based on the Washington Irving story The Legend of Sleepy Hollow, and centers on police Constable Ichabod Crane. Ichabod investigates a series of murders by mysterious Headless Horseman. Tim Burton is drawn to the idea that Ichabod is the guy who lives inside his own head while his nemesis has no head at all. Burton uses the juxtaposition so that it works on a symbolic level. As well as 'heads', Burton puts a stress on the importance of 'hands' in the film. At the very beginning of the film, there appear the hands of a man and a woman. As the film progresses, it gets clearer that not only these hands but almost every hand of the major characters have some importance. Closely related to these 'hands' is the symbolism of magical images produced by the Thaumatrope invented at the beginning of 19th century in England. Burton introduces the episode on the invention to symbolize the parts of the body and represents the magical power of the moving picture. |
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書誌情報 |
国際経営・文化研究 en : Cross-cultural business and cultural studies 巻 12, 号 2, p. 91-100, 発行日 2008-03-01 |
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表示順 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 7 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 13431412 |