{"created":"2023-06-19T09:47:04.759628+00:00","id":1540,"links":{},"metadata":{"_buckets":{"deposit":"3272ba58-af03-4016-8e0c-bccb5c93527f"},"_deposit":{"created_by":17,"id":"1540","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"1540"},"status":"published"},"_oai":{"id":"oai:shukutoku.repo.nii.ac.jp:00001540","sets":["172:175"]},"author_link":["2980","2981"],"item_2_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-12-01","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicPageEnd":"52","bibliographicPageStart":"37","bibliographicVolumeNumber":"21","bibliographic_titles":[{"bibliographic_title":"国際経営・文化研究"},{"bibliographic_title":"Cross-cultural business and cultural studies","bibliographic_titleLang":"en"}]}]},"item_2_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Taisho Era in Japan （1912～1926） was just the pre-radio-broadcasting and pre-widespread-phonograph-recordings era. People in rural areas shared local folk songs and people in urban areas enjoyed ENKA type popular songs. ENKA songs were made by ENKASHI, who wrote songs on the melodies of previously wide-spread songs and sang them themselves.\nThe contents of lyrics are yells for human rights and freedom, critiques of plutocracy, bribery, and sorrow based on poverty and unfortunate fate of common people, etc. always with some wit.\nDOHYOH was a new type of children’s songs, which adults, especially first-rank lyricists wrote for children with children’s souls. DOHYOH songs were very different from SHOKA ones, which spread through school education. DOHYOH songs diffused by the monthly magazine AKAI-TORI and others specialized on children’s songs and tales.\nASAKUSA OPERA thrived in Asakusa entertainment area in Tokyo. The Opera troupes digested Western opera works. People of those days were interested in a new type of entertainments coming from Western countries. Popular music in Taisho Era diffused live, not through AV media, a situation which characterized more straight human contacts between performers and spectators-audience than those of today.","subitem_description_type":"Other"}]},"item_2_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"3","subitem_description_type":"Other"}]},"item_2_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_type":"Other"}]},"item_2_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11169031","subitem_source_identifier_type":"NCID"}]},"item_2_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13431412","subitem_source_identifier_type":"ISSN"}]},"item_2_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"淑徳大学経営学部教授"}]},"item_2_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"タイショウ ジダイ ノ ハヤリウタ ノ フキュウ ジョウキョウ"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"岩村, 沢也"},{"creatorName":"イワムラ, タクヤ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Iwamura, Takuya","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-02-09"}],"displaytype":"detail","filename":"SSC-JA2016-02101-003.pdf","filesize":[{"value":"1.3 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"SSC-JA2016-02101-003.pdf","url":"https://shukutoku.repo.nii.ac.jp/record/1540/files/SSC-JA2016-02101-003.pdf"},"version_id":"c7bb35c9-a845-4d1e-815d-aa2e9f3ab27a"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"添田唖蝉坊","subitem_subject_scheme":"Other"},{"subitem_subject":"演歌","subitem_subject_scheme":"Other"},{"subitem_subject":"童謡","subitem_subject_scheme":"Other"},{"subitem_subject":"俚謡","subitem_subject_scheme":"Other"},{"subitem_subject":"浅草オペラ","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"大正時代の流行り唄の普及状況","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"大正時代の流行り唄の普及状況"},{"subitem_title":"The Diffusion of Popular Music in Taisho Era in Japan","subitem_title_language":"en"}]},"item_type_id":"2","owner":"17","path":["175"],"pubdate":{"attribute_name":"公開日","attribute_value":"2018-02-09"},"publish_date":"2018-02-09","publish_status":"0","recid":"1540","relation_version_is_last":true,"title":["大正時代の流行り唄の普及状況"],"weko_creator_id":"17","weko_shared_id":-1},"updated":"2023-06-19T10:06:26.938296+00:00"}