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動物保護をめぐるグローバリゼーションと「国民文化」 : 映画『ザ・コーヴ』に対する日本の議論を取り上げて
https://shukutoku.repo.nii.ac.jp/records/1471
https://shukutoku.repo.nii.ac.jp/records/1471ee958501-3c9f-4913-acf8-119442d6980a
名前 / ファイル | ライセンス | アクション |
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SSC-JA2010-01501-003.pdf (3.7 MB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2018-02-09 | |||||
タイトル | ||||||
タイトル | 動物保護をめぐるグローバリゼーションと「国民文化」 : 映画『ザ・コーヴ』に対する日本の議論を取り上げて | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | "Globalization of Animal Protection Activity and 'National Culture' : A Case Study on How Japan was Depicted in the Movie The Cove and Debates it has engendered in Japan" | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 動物保護活動 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | グローバリゼーション | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | オリエンタリズム | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | ナショナリズム | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 国民文化 | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA11169031 | |||||
論文名よみ | ||||||
タイトル | ドウブツ ホゴ オ メグル グローバリゼーション ト 「コクミン ブンカ」 : エイガ 『ザ・コーヴ』 ニ タイスル ニホン ノ ギロン オ トリアゲテ | |||||
著者 |
白石(那須), 千鶴
× 白石(那須), 千鶴× Shiraishi(Nasu), Chizuru |
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著者所属(日) | ||||||
淑徳大学国際コミュニケーション学部兼任講師 | ||||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | This paper analyzes the reactions emerging in Japan to The Cove; a movie that condemns the dolphin-hunting that is being conducted in a cove in Wakayama, Japan. In addition, it examines Japanese "national culture" and some of the present-day problems caused by the globalization of animal protection activities. My main focus is on the following three points. Firstly, I examine the reasons why the movie has evoked so much nationalism amongst Japanese viewers. Secondly, I argue how the movie itself is a blatant example of what Said calls "Orientalism" and finally I analyze some problems that could emerge if Japan defends the eating of dolphins and whales as inherently part of our "national culture." By treating the above issues, this paper posits that the movie, and those who produced it, are seriously flawed by what is called "Orientalism", because not only have they portrayed the fishermen at the cove as being ruthlessly cruel to animals, but they have portrayed the people of Japan as being in need of salvation. Concurrently, this paper stresses the following two points. Firstly, Japan's defense of the eating of dolphins and whales on the grounds of it being indispensable to national culture is problematic, because it is a shallow excuse that prevents us from presenting different opinions in Japan toward dolphin and whale hunting. Secondly, by using "national culture" as a defense against Western criticism of whale and dolphin consumption, Japan risks falling into the trap of becoming just as ethnocentrism as the Western nations. |
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書誌情報 |
国際経営・文化研究 en : Cross-cultural business and cultural studies 巻 15, 号 1, p. 15-27, 発行日 2010-11-01 |
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表示順 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 3 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 13431412 |